Invasion

Intro

Invasion
Invasion

Verse 1

I
Hate
The
Way
You
Say
My
Name

Verse 2

You keep invading my soul
You blacken my thoughts
You bring out the darkness in me
You keep dimming my light
Covering my soul with dirt
Taking each breath away from me

Chorus

Invasion, invasion
My armed forces are ready
Wave your white flag
Before your end comes
And I control your life
Invasion

Verse 3

I
Hate
The
Way
You
Invade
My
Life

Verse 4

You keep invading my mind
You keep staining my soul
You bring out the worst in me
You keep taking my smile
Darkening my soul
As you take it all away from me

Chorus

Invasion, invasion
My armed forces are ready
Wave your white flag
Before your end comes
And I control your life
Invasion

Invasion, invasion
My armed forces are ready
Wave your white flag
Before your end comes
And I control your life
Invasion
Invasion, invasion
My armed forces are ready
Wave your white flag
Before your end comes
And I control your life
Invasion

This song is about psychological warfare turned inward—a death-metal framing of what it feels like when someone (or something) violates your inner territory and forces you to fight back just to survive.

Title: Invasion: The word sets the core image: your inner world as sovereign land. An invasion is not a disagreement or conflict—it’s a violation of borders, autonomy, identity, and safety. This isn’t about mutual harm; it’s about something forcing its way in without consent.

The intro of singing invasion is a repetition that acts like a siren or alarm. It establishes immediacy and inevitability—this isn’t a single incident; it’s ongoing. It also mirrors intrusive thoughts: short, blunt, looping. Emotionally it signals: loss of control, a threat already inside the walls.

The first verse is about identity distortion: being defined by someone else, being misrepresented while vulnerable, a violation so deep it reaches how you recognize yourself. The fragmentation of the line mirrors dissociation and contained rage.

Verse 2 describes contamination, not aggression.

• Soul invasion → emotional/spiritual boundaries breached
• Blackened thoughts → intrusive thinking, self-loathing, mental pollution
• Darkness brought out → being pushed into reactions you don’t recognize as yourself
• Dimming light → erosion of hope, joy, or self-trust
• Dirt on the soul → shame that doesn’t belong to you
• Breath taken away → anxiety, panic, powerlessness

This isn’t saying “you made me evil”—it’s saying “you forced me into survival mode.”

Chorus is the turning point: defense becomes counter-attack.

• Armed forces = boundaries, anger, self-protection, reclaimed agency
• White flag = demand for accountability or retreat
• Before your end comes = not literal death, but the end of influence and power
• I control your life = reclaiming authorship over your inner world

This is not domination for pleasure—it’s survival justice.

Verse 3 states that the invasion has moved from inner space to daily life and there is no safe compartment left untouched. The hatred here is clarity – not cruelty.

Verse 4 intensifies repetition to show erosion over time.

• Mind invasion → rumination, gaslighting, psychological control
• Staining the soul → damage that feels permanent even when it isn’t
• Worst in me → reactive anger, despair, self-betrayal
• Taking my smile → loss of innocence or ease
• Taking it all away → emotional bankruptcy, depletion

The repetition reflects exhaustion: the same harm, again and again.

Repeated chorus signifies that the repetition of it becomes ritualistic – almost like a war chant.

• reclaiming strength through repetition
• reinforcing boundaries until they hold
• asserting dominance over what once dominated you

The extended repetition suggests:

• this battle wasn’t won once
• it had to be fought repeatedly
• and each repetition is you staying alive

Crawl

Intro

I have seen the other side
I am not afraid to die
I know what is in store
Confined in my grave
I will still rise and
Take you with me
Don’t under estimate me
Ever again

Verse 1

You are a weak, disgust of a person
Crawl back into your shell and be still
Don’t ever show your face again
Be afraid of what the light holds
Make the darkness your best friend
Share your deepest darkest secret
Make sure no one hears it
Whisper into the abyss

Pre-chorus

Kill all your hopes and dreams
As it will only be a memory
One you will never forget
Crawl deeper into
Crawl so no one can find you
Crawl away from me
Crawl to save your life
Crawl for one last time

Chorus

Crawl into crawl into
Crawl deeper into
Crawl into your shell
Crawl into you
Crawl into crawl into
Or face me and die
Crawl into crawl into
Crawl deeper and die

Verse 2

I will put an end to you
This will be the last thing I do
As I rest my head I dream about your screams
They fill my heart with hope
As you are gone
I took it all from you and gained a soul
I will never regret what I have done
I have plucked a weed from this earth

Pre-chorus

Kill all your hopes and dreams
As it will only be a memory
One you will never forget
Crawl deeper into
Crawl so no one can find you
Crawl away from me
Crawl to save your life
Crawl for one last time

Chorus

Crawl into crawl into
Crawl deeper into
Crawl into your shell
Crawl into you
Crawl into crawl into
Or face me and die
Crawl into crawl into
Crawl deeper and die

Bridge

Breath in breath out
Your end is here
Darkness will fill your eyes
Blood will stain the floor
Breath in breath out
You have lost it all
I am your last sight
What an amazing sight to see

Chorus

Crawl into crawl into
Crawl deeper into
Crawl into your shell
Crawl into you
Crawl into crawl into
Or face me and die
Crawl into crawl into
Crawl deeper and die
Crawl into crawl into
Crawl deeper into
Crawl into your shell
Crawl into you
Crawl into crawl into
Or face me and die
Crawl into crawl into
Crawl deeper and die

Crawl symbolizes humiliation after false power, enforced smallness, survival by disappearance, and regression as punishment.

Crawl reads like predatory power turned symbolic—but underneath the death-metal violence, it’s about reclaiming dominance after being reduced, threatened, or erased. Unlike Invasion, which is defensive warfare, Crawl is about forcing something that once loomed large to become small.

To crawl is to lose status, voice, and agency—or to be forced back into a form that can’t harm anymore.

The Intro establishes fearlessness through prior death.

• Seen the other side → lived through trauma, collapse, ego death
• Not afraid to die → nothing left to threaten with
• Confined in my grave / still rise → even total defeat didn’t end you
• Take you with me → if pushed, consequences will be mutual
• Don’t underestimate me → warning born from being dismissed before

This is the voice of someone who has already been broken—and therefore cannot be controlled anymore.

Verse 1 mirrors abuse back onto the abuser.

• Weak/disgust → stripping false authority
• Shell → emotional cowardice, hiding behind masks
• Light → exposure, truth, accountability
• Darkness as friend → secrecy, shame, self-containment

This isn’t random cruelty—it’s reversal.
Forcing the other person into the position they once occupied.

Whisper into the abyss is key:

• your secrets no longer matter
• your voice no longer echoes
• the world does not answer you

The abyss represents irrelevance—the ultimate death for someone who relied on control or attention.

Pre-chorus represents psychological exile.

• Hopes and dreams killed → stripping future power
• Memory that never fades → permanent reckoning
• Crawl deeper → retreat into obscurity
• Save your life → survival at the cost of dignity

It’s not death being offered—it’s erasure with awareness.

The Chorus is the binary choice:

• Crawl → accept smallness, silence, self-containment
• Face me → confront truth and consequences

“Die” here is metaphorical:

• death of illusion
• death of dominance
• death of the role they played

The repetition creates claustrophobia, mimicking the shrinking space available to the other.

Verse 2 represents emotional closure through imagined justice.

• End to you → end of influence, not existence
• Dreaming of screams → processing rage in fantasy, not reality
• Hope restored → relief, not cruelty

This is the psyche finally exhaling after prolonged threat.

I took it all from you and gained a soul is one of the strongest lines in the song.

• the person lost themselves under domination
• reclaiming power restores identity
• the “soul” returns once fear is gone

This is not about becoming monstrous—it’s about becoming whole again.

I have plucked a weed from this earth – the weed metaphor is crucial.

A weed:

• spreads quietly
• chokes what it doesn’t own
• thrives when ignored

Plucking it isn’t murder—it’s maintenance.
This frames the act as necessary, not sadistic.

The bridge focuses on physical imagery.

This is symbolic execution, not literal.

• Breathing → final awareness
• Darkness → loss of narrative control
• Blood → consequence made visible

It’s the moment where denial collapses.

Something left behind

Verse 1

I followed my shadow
Down an alley way
Entering complete darkness
Hearing my own voice
Over the echoes of what once was
Chills to the bone
Creeps down my spine
Thinking to myself
Do I even belong somewhere?

Verse 2

I asked my shadow
Which way to go
It pointed north
And said, the darkness is you
The darkness is in you
You are the darkness
You belong here

I need to find what I left behind

Chorus

The war you wage against me
You cannot win even if you tried
Succumb to me and destroy your views of yourself
You will never destroy what I have lost
I might have left it behind
But I will find myself and be stronger
Than, you ever, can be
Because, I belong, here

Verse 3

You said you will never leave me
Yet here I am alone again
I gave you all of me
And you just threw it all away
How do I breath on my own again?
You were my everything
But now you are my nothing
I will find a place where
I can belong again

How can I find what I left behind
I need to find what I left behind

Chorus

The war you wage against me
You cannot win even if you tried
Succumb to me and destroy your views of yourself
You will never destroy what I have lost
I might have left it behind
But I will find myself and be stronger
Than, you ever, can be
Because, I belong

Verse 4

I am lost in this maze
I don’t know how to get out
Who the fuck I am now
I have delved deep
I have come up with nothing
I don’t know where to go
I don’t know what to do
How can I find myself?
You took the best parts of me
I cant get me back
How can I go on?
Where do I need to go?
I left myself behind

Chorus

The war you wage against me
You cannot win even if you tried
Succumb to me and destroy your views of yourself
You will never destroy what I have lost
I might have left it behind
But I will find myself and be stronger
Than, you ever, can be
Because, I belong
The war you wage against me
You cannot win even if you tried
Succumb to me and destroy your views of yourself
You will never destroy what I have lost
I might have left it behind
But I will find myself and be stronger
Than, you ever, can be
Because, I belong, here

Something Left behind is less about attacking an enemy and more about descending into the self to recover what trauma, abandonment, or devotion stripped away. Where Invasion was violation and Crawl was eradication, this is aftermath: wandering through the ruins, trying to reclaim identity.

Something Left Behind implies self-abandonment, and not loss.

What’s left behind isn’t an object or person—it’s:

• a former self
• innocence
• agency
• belonging

The phrasing is passive: it wasn’t taken by force alone; it was left during survival.

Verse 1 is an intentional descent, not accidental.

• Shadow → repressed self, pain, truth you avoided
• Alleyway → narrow, unsafe, irreversible path
• Complete darkness → absence of identity or certainty
• Own voice over echoes → present self confronting memory

This isn’t nostalgia—it’s confrontation.

Do I even belong somewhere? is the core existential wound.

• belonging isn’t geographical—it’s internal
• trauma has displaced the speaker from themselves

This question doesn’t ask where—it asks if.

Verse 2 represents the shadow becoming the guide, not the enemy.

• North → false direction / assumed guidance
• Darkness is you → pain has fused with identity
• You belong here → exile normalized

This reflects internalized narratives: when suffering convinces you that misery is home.

I need to find what I left behind – this line is a vow.

• acknowledgment of loss
• refusal to stay fragmented
• belief that the self is recoverable

The repetition reinforces obsession—it’s the only thread holding the person together.

Chorus

The war you wage against me
You cannot win even if you tried

The “you” here is ambiguous—and that’s deliberate.

It can be:

• an external betrayer
• internalized shame
• a past version of the self that gave up

This is identity versus erasure.

Succumb to me and destroy your views of yourself is the radical self-redefinition.

• the old self-image must die
• survival requires rejecting who you were told you were
• you become the dominant force internally

It’s not self-hatred—it’s rebirth through destruction.

I might have left it behind
But I will find myself and be stronger

This is assertion of recovery. It is resilience without denial.

• loss acknowledged
• strength earned, not assumed
• identity rebuilt, not restored

This isn’t returning to who you were—it’s becoming someone else.

Verse 3 is about abandonment.

You said you will never leave me
Yet here I am alone again

This is relational trauma surfacing.

• promises as false shelter
• devotion exploited
• abandonment reframed as awakening

“You were my everything / now you are my nothing” signals detachment as survival, not bitterness.

How do I breath on my own again?

This is post-dependence shock.

• autonomy feels foreign
• independence hurts before it heals
• survival muscles have atrophied

This line is fragile—and intentionally so.

Verse 4

I am lost in this maze
Who the fuck I am now

This is the void between selves.

• Maze → trauma loops, no clear exit
• Nothing found → searching old places won’t work
• Best parts taken → emotional extraction

The key line: I left myself behind

This reframes everything:

• no villain needed
• survival required abandonment
• healing now requires retrieval

Final chorus – final war refrain

You will never destroy what I have lost

Powerful paradox.

• what was lost cannot be destroyed further
• the core self survived displacement
• identity is dormant, not dead

The final “Because, I belong, here” doesn’t mean darkness anymore—it means ownership of the self, wherever it now stands.

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Vultures

Intro

(Chatter)

Fucking vultures

Verse 1

You, fucking vultures
You, prey on the weak
You, are a leech
Sucking the live out of everyone you meet
Fucking vultures
Fly to hell and never come back
I have had enough
The darkness in my eyes
Spells vengeance

Verse 2

You are the grey area
Between my black and white
You are the fuel to my fire
I’ll burn for a life time
My flames will reach the skies
And burn your precious feathers to dust

Vultures, vultures, vultures

Chorus

Blood against the wall
Rip flesh from the bone
Suffocate in the pain
Fucking vultures die die die die
Drawn to the flames
My light flickers far and wide
You fucking vultures
You, will, burn

Verse 3

You only know me
When you need me
But when I need you
You are nowhere to be found
You think I am weak
That I will keep giving
Fuck you, fuck all of you

Start running
It is time to hunt
To Destroy those that only prey on the weak
I will destroy

Vultures, vultures

Chorus

Blood against the wall
Rip flesh from the bone
Suffocate in the pain
Fucking vultures die die die die

Vultures, vultures

Fucking vultures

Verse 4

I am pressing play on my own life
I have missed way too much
I have giving you way too much

Chorus

Blood against the wall
Rip flesh from the bone
Suffocate in the pain
Fucking vultures die die die die
Drawn to the flames
My light flickers far and wide
You fucking vultures
Blood against the wall
Rip flesh from the bone
Suffocate in the pain
Fucking vultures die die die die

Vultures is predatory death metal as moral indictment. Where Invasion was violation, Crawl was eradication, and Something Left Behind was recovery, “Vultures” is confrontation with exploiters—people who only appear when there’s something to take.

Vultures don’t kill first—they wait for weakness.

Here they represent:

• emotional parasites
• opportunists
• people who consume others’ energy, care, or labor
• those who circle vulnerability instead of offering support

Calling them vultures strips them of humanity and agency—they are instinct-driven exploiters, not equals.

The intro acts like a snap – the moment tolerance ends.

• background noise becomes intolerable
• resentment becomes conscious
• silence breaks

It’s the sound of realization before confrontation.

Verse 1 is all about naming the predator.

You prey on the weak
You are a leech
Sucking the life out of everyone you meet

This is diagnosis, not rage for its own sake.

• Prey on the weak → selective exploitation
• Leech → attachment without contribution
• Sucking life → emotional exhaustion, burnout, depletion

The person isn’t angry because they were hurt—they’re angry because they finally see the pattern.

The darkness in my eyes spells vengeance

Darkness here is resolve, not corruption.

• boundaries mistaken for cruelty
• anger functioning as protection
• refusal to be fed on anymore

“Vengeance” doesn’t mean harm—it means consequences.

Verse 2

You are the fuel to my fire
I’ll burn for a lifetime
Burn your precious feathers to dust

This is transformation imagery.

• Fuel → exploitation becomes motivation
• Fire → anger turned into drive
• Feathers → false purity, moral superiority, appearances

The vultures’ defining trait (flight, feathers) is what gets destroyed—their advantage disappears.

“Vultures, vultures, vultures”

This repetition functions like exposure.

• naming removes power
• anonymity is stripped away
• the predators are no longer hidden

It’s a chant of recognition.

Chorus does consist of extreme violence imagery – but it is a symbolic collapse, not literal action.

Blood against the wall
Rip flesh from the bone
Suffocate in the pain

• Blood → consequences made visible
• Flesh from bone → stripping down to truth
• Suffocation → loss of control and narrative

This imagery represents the violent end of exploitation, not physical harm.

Drawn to the flames / My light flickers far and wide

This is crucial.

• exploiters are attracted to generosity, visibility, empathy
• light = openness, talent, care
• flickering = exhaustion, not extinction

The speaker’s light isn’t gone—it’s dangerous now.

Verse 3

You only know me when you need me
But when I need you / You are nowhere to be found

This is the emotional core of the song.

• one-way intimacy
• transactional relationships
• care without reciprocity

The anger becomes justified—not explosive, but earned.

You think I am weak / That I will keep giving

This line exposes the vultures’ miscalculation.

• kindness mistaken for weakness
• generosity exploited
• endurance assumed infinite

The song pivots here: the supply is cut off.

Start running / It is time to hunt

This is role reversal, not cruelty.

• accountability replaces impunity
• predators become visible
• power shifts

“Hunt” here means confront, expose, refuse, not physical pursuit.

Verse 4

I am pressing play on my own life

One of the most important lines in the song.

• reclaiming agency
• choosing self-directed existence
• ending pause, survival mode, and self-sacrifice

This is self-resurrection, not revenge.

I have given you way too much

This is grief, not rage.

• lost time
• depleted self
• misallocated care

It acknowledges complicity without self-blame.

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